Book by David Ives and Paul Blake
Based on the beloved, timeless film, this heartwarming musical adaptation features seventeen Irving Berlin songs and a book by David Ives and Paul Blake.
Veterans Bob Wallace and Phil Davis have a successful song-and-dance act after World War II. With romance in mind, the two follow a duo of beautiful singing sisters en route to their Christmas show at a Vermont lodge, which just happens to be owned by Bob and Phil’s former army commander. The dazzling score features well known standards including Blue Skies, I Love A Piano, How Deep Is the Ocean and the perennial favorite, White Christmas. White Christmas is an uplifting musical worthy of year-round productions.
Plays run Thursday, Friday and Saturday evenings and Sunday afternoons only.
- Directed by: Norma Bean
- Date: Friday, Nov. 24 to Dec. 10
- Time: Thur – Sat – 7:30 pm; Sun – 2:00pm
Shows from the Archives
by Tim Firth
When Annie’s husband John dies of leukemia, she and best friend Chris resolve to raise money for a new settee in the local hospital waiting room. They manage to persuade four fellow WI members to pose nude with them for an “alternative” calendar, with a little help from hospital porter and amateur photographer Lawrence. The news of the women’s charitable venture spreads like wildfire, and hordes of press soon descend on the small village of Knapeley in the Yorkshire Dales. The calendar is a success, but Chris and Annie’s friendship is put to the test under the strain of their new-found fame. Based on the true story of eleven WI members who posed nude for a calendar to raise money for the Leukemia Research Fund, Calendar Girls opened at the Chichester Festival Theatre and has since become the fastest selling play in British theatre history.
Directed by: Mike Lacey
Performed: Sept. 28 thru Oct. 17
by David Bottrell and Jessie Jone
- Directed by: Sonia Smith
- Performed: July 13 – July 30
In the Baptist backwoods of the Bible Belt, the beleaguered Turpin family proves that living and dying in the South are seldom tidy and always hilarious. Despite their earnest efforts to pull themselves together for their father’s funeral, the Turpin’s other problems keep overshadowing the solemn occasion: Firstborn Ray-Bud drinks himself silly as the funeral bills mount; Junior, the younger son, is juggling financial ruin, a pack of no-neck monster kids, and a wife who suspects him of infidelity in the family car; their spinster sister, Delightful, copes with death as she does life, by devouring junk food; and all the neighbors add more than two cents. As the situation becomes fraught with mishap, Ray-Bud says to his long-suffering wife, “When I die, don’t tell nobody. Just bury me in the backyard and tell everybody I left you.” Amidst the chaos, the Turpins turn for comfort to their friends and neighbors, an eccentric community of misfits who just manage to pull together and help each other through their hours of need, and finally, the funeral.
A young bride who lives above a bank with her husband who is the assistant manager, innocently sends a mail order off for some Scandinavian glassware. What comes is Scandinavian pornography. The plot revolves around what is to be done with the veritable floods of pornography, photographs, books, films, and eventually girls that threaten to engulf this happy couple. The matter is considerably complicated by the man’s mother, his boss, a visiting bank inspector, a police superintendent, and a muddled friend who does everything wrong in his reluctant efforts to set everything right, all of which works up to a hilarious ending of closed or slamming doors. This farce ran in London over eight years and also delighted Broadway audiences.
- Directed by: Norma Bean
- Performed: May 18 – June 4
Be my Baby
by Ken Ludwig
John, irascible Scotsman and Maude, an uptight English woman, both in their late 50s, take on the journey of a lifetime. They are brought together when his ward marries her niece. Then, when the young couple decides to adopt a new born baby, the older couple has to travel 6,000 miles to California to pick up the child and bring her safely home to Scotland. The problem is, John and Maude despise each other. To make matters worse, they get stranded in San Francisco for several weeks and are expected to jointly care for the helpless newborn. There they form a new partnership and learn some startling lessons about life and love.
- Directed by: Sherry Triebert
1939 Hollywood is abuzz. Legendary producer David O. Selznick has shut down production of his new epic, Gone with the Wind, a film adaptation of Margaret Mitchell’s novel. The screenplay, you see, just doesn’t work. So what’s an all-powerful movie mogul to do? While fending off the film’s stars, gossip columnists and his own father-in-law, Selznick sends a car for famed screenwriter Ben Hecht and pulls formidable director Victor Fleming from the set of The Wizard of Oz. Summoning both to his office, he locks the doors, closes the shades, and on a diet of bananas and peanuts, the three men labor over five days to fashion a screenplay that will become the blueprint for one of the most successful and beloved films of all time.
Directed by: Joey Roderick
Performed on: March 2 – 19, 2017